Casablanca

Humphrey DeForest Bogart December 25, 1899 – January 14, 1957), nicknamed Bogie, was an American actor. His performances in classic Hollywood cinema made him an American cultural icon. In 1999, the American Film Institute selected Bogart as the greatest male star of classic American cinema.

Bogart began acting in Broadway shows. Debuting in film in The Dancing Town (1928), he appeared in supporting roles for more than a decade, regularly portraying gangsters. He was praised for his work as Duke Mantee in The Petrified Forest (1936). Bogart also received positive reviews for his performance as gangster Hugh "Baby Face" Martin in William Wyler's Dead End (1937).

His breakthrough came in High Sierra (1941), and he catapulted to stardom as the lead in John Huston's The Maltese Falcon (1941), considered one of the first great noir films.^] Bogart's private detectives, Sam Spade (in The Maltese Falcon) and Philip Marlowe (in 1946's The Big Sleep), became the models for detectives in other noir films. In 1947, he played a war hero in another noir, Dead Reckoning, tangled in a dangerous web of brutality and violence as he investigates his friend's murder, co-starring Lizabeth Scott. His first romantic lead role was a memorable one, as Rick Blaine, paired with Ingrid Bergman as Ilsa Lund in Casablanca (1942). Blaine was ranked as the fourth greatest hero of American cinema by the American Film Institute, and Blaine and Lund's romance the greatest love story in American cinema, also by the American Film Institute. Raymond Chandler, in a 1946 letter, wrote that "Like Edward G. Robinson when he was younger, all he has to do to dominate a scene is to enter it.

During the filming of To Have and Have Not (1944), 44-year-old Bogart fell in love with his costar, 19-year-old Lauren Bacall. In 1945, a few months after principal photography for The Big Sleep, their second film together, he divorced his third wife and married Bacall. After their marriage, they played each other's love interest in the mystery thrillers Dark Passage (1947) and Key Largo (1948). Bogart's performances in Huston's The Treasure of the Sierra Madre (1948) and Nicholas Ray's In a Lonely Place (1950) are considered among his best, although they were not recognized as such when the films were released. He reprised those unsettled, unstable characters as a World War II naval-vessel commander in The Caine Mutiny (1954), a critical and commercial hit that earned him a third Academy Award nomination for Best Actor, following Casablanca and a win for portraying a cantankerous river steam launch skipper opposite Katharine Hepburn's missionary in the World War I African adventure The African Queen (1951). Other significant roles in his later years included The Barefoot Contessa (1954) with Ava Gardner and his on-screen competition with William Holden for Audrey Hepburn in Sabrina (1954).

A heavy smoker and drinker, Bogart died from esophageal cancer in January 1957. Casablanca, The Maltese Falcon, The Treasure of the Sierra Madre and The African Queen made the American Film Institute's 1998 list of the greatest American movies of all time, with Casablanca ranked second. Regarding her husband's enduring popularity, Bacall later said, "There was something that made him able to be a man of his own, and it showed through his work. There was also a purity, which is amazing considering the parts he played. Something solid, too. I think as time goes by, we all believe less and less. Here was someone who believed in something."

Ingrid Bergman (29 August 1915 – 29 August 1982) was a Swedish actress. With a career spanning five decades, Bergman is often regarded as one of the most influential actresses in the history of cinema. She won numerous accolades, including three Academy Awards, two Primetime Emmy Awards, and a Tony Award; these accolades made her the youngest performer to achieve the Triple Crown of Acting and one of only four actresses to have received at least three acting Academy Awards (only Katharine Hepburn has four).

Born in Stockholm to a Swedish father and German mother, Bergman began her acting career in Swedish and German films. Her introduction to the U.S. audience came in the English-language remake of Intermezzo (1939). Known for her naturally luminous beauty, she starred in Casablanca (1942) as Ilsa Lund. Bergman's notable performances in the 1940s include the dramas For Whom the Bell Tolls (1943), Gaslight (1944), The Bells of St. Mary's (1945), and Joan of Arc (1948), all of which earned her nominations for the Academy Award for Best Actress; she won for Gaslight. She made three films with Alfred Hitchcock: Spellbound (1945), Notorious (1946), and Under Capricorn (1949).

In 1950, she starred in Roberto Rossellini's Stromboli, released after the revelation that she was having an affair with Rossellini; that and her pregnancy before their marriage created a scandal in the U.S. that prompted her to remain in Europe for several years. During this time, she starred in Rossellini's Europa '51 and Journey to Italy (1954), the former of which won her the Volpi Cup for Best Actress. The Volpi Cup was not awarded to her in 1952 because she was dubbed (by Lydia Simoneschi) in the version presented at the Festival; she was awarded posthumously in 1992, and the prize was accepted by her son Roberto Rossellini. She returned to Hollywood, earning two more Academy Awards for her roles in Anastasia (1956) and Murder on the Orient Express (1974). During this period she also starred in Indiscreet (1958), Cactus Flower (1969), and Autumn Sonata (1978) receiving her sixth Best Actress nomination.

Bergman won the Tony Award for Best Actress in a Play for the Maxwell Anderson play Joan of Lorraine (1947). She also won two Primetime Emmy Awards for Outstanding Lead Actress in a Limited Series or Movie for The Turn of the Screw (1960), and A Woman Called Golda (1982). In 1974, Bergman discovered she was suffering from breast cancer but continued to work until shortly before her death on her sixty-seventh birthday in 1982. Bergman spoke five languages—Swedish, English, German, Italian, and French—and acted in each. In 1999, the American Film Institute recognized her as the fourth-greatest female screen legend of Classic Hollywood Cinema.